Snoop Takes It Back.....

This is a great new cut from Snoop.He references Roger Troutman, Prince, and the 80's in general.Nice work!

So Long, Champ!

I used to play with toys of dude back in day.So long, Champ!

Yeah...Thats What up.

Folks may wanna look out for new material from Oakland's Zion I. They recently teamed up with West Coast pioneer Too Short to do a slamming song called 'Don't Lose Ya Head'. which is featured on his recently released compilation called 'I Love the Bay'. On that compilation you will hear joints from Bay shot callers like Messy Marv, Mista FAB, Frontline, E-40, Bavgate, Big Rich and fellow Bay pioneer Mike Marshall just to name a few.

Too Short who has been doing some big things community wise as of late including opening up studios for up and coming artists and counseling youngsters at East Oakland's Youth Uprising, has long wanted to put out a compilation album that showcased the vast amounts of talent that exist here in the Bay Area. The compilation was released on his own All Night Music label and no doubt will eliminate some of the politics and frustration Short has experienced in the past.

For example, he and E-40 had collaborated on an album called 'History' that was nixed by Jive Records who didn't want the pair to put it out while they were both signed to the label.

In another incident, last year when BET did a spotlight on the Bay, Too Short took the camera crew around Oakland and had in tow many of the Bay icons who are celebrated here but often overlooked on the national stage. When the piece was finally aired, you saw most of the people he rolled with edited out the piece aside from a couple of shots here and there. That was a big disappointment. Short was able to repair that oversight with this compilation which is pretty good.

As for the cut with Zion I, it represents their commitment to unite the Bay Area rap scene in the three year tradition of their Paid in Full concert series where they bring together groups from the Bay's various rap scenes and clicks. For those who don't know here in the Bay for the longest time, there's been a so called Backpack/Hip Hop scene and a rap/turf scene. Such boundaries have come on behalf of music journalists and Hip Hop purist who have little or no connection to the communities where this music emerges. In their mis-guided wisdom they have somehow deemed that an Oakland artist like Too Short or the Deliquents are 'rap music artists while fellow Oakland artists like Zion I, Hiero or Living Legends are 'Hip Hop'. That has long been a notion completely rejected in these parts and was just recently underscored by Bay artist Del tha Funkee Homosapien in an Hard Knock Radio interview where he explained in great detail how and why all Bay artists are connected.

He noted that for the most part many artists came up together, attended the same schools and even were in the same groups early on. For the most part, you will find Bay artists are born from the same musical seed which is rooted in funk and out of that tradition they express themselves differently. As far as Del is concerned his style of Hip Hop comes from the same funk seed as Too Short

written by Davey D

Zip Line To Oakland!

Cool Vidcast

Tasered To Death In Canada!

Caution: This video involves the Tasering death of a human being. If the content is likely to bother you, don't watch.

Paul Pritchard, the bystander who vidoetaped the minutes leading up to the Tasering and eventual death of Robert Dziekanski by RCMP officers at Vancouver airport last month finally has his footage back and released it.

To my mind there is no question that the death of Robert Dziekanski would never have happened if someone had taken the time to do allow this man to speak to an interpreter or let him use their cellphone to reach his mother.

The RCMP story about the events keeps changing from "he was drunk and out of control"(according to the autopsy, he had no alcohol at all in his system. Nor were there drugs), to "he resisted the police" to "the footage doesn't tell the entire story". It certainly tells more than the police bothered to find out before they, within 25 seconds of arriving on the scene, Tasered him.

I think the video speaks very clearly about whether the police acted correctly and with appropriate force or went in half-cocked, Tasered an man who was agitated (twice within a few second and while the man was down), and caused him to lapse into a coma by kneeling on his neck and head (as witnesses and the video show).

Judge for yourself

Hey...Look! Reg is on the blog!

Cheaters Beat Down!

JayStats with another winner....Just Dont Cheat , People. You may get knocked the fuck out!!!!

From member JayStats.....Kimbo kicking ass once again....

Great spooky song by Fleetwood Mac. UFOs, Bigfoot...they are all referenced here.

Oh No! This is a staple of my diet!!!!

Totino’s and Jeno’s Frozen Pizzas Recalled Due to Possible E. coli Contamination

Published Nov 2, 2007

E-mail Print

Totino’s and Jeno’s today announced a voluntary recall of frozen pizzas with pepperoni toppings because of possible contamination of the pepperoni topping with E. coli O157:H7.

The recall affects approximately 414,000 cases of pizza products currently in stores and all similar pizza products in consumers’ freezers. It includes eight SKUs (stock keeping units or UPC codes) of Totino’s brand frozen pizza and three SKUs of Jeno’s brand frozen pizza with pepperoni topping, or incorporating pepperoni in combination with other toppings.

HALLOWEEN!!!!!!HAPPY TIMES!!!!

Can we all agree that Hip Hop is pretty much dead if this is the new audience?Soccer moms and little kids.

The Mo'Kelly Report: Nas is a Comedian Not an Intellectual Nasir Jones is a funny, funny guy. Nasir Jones, aka Nas, rapper extraordinaire is back in the news. In fact, he'll soon be back with a new CD. The often controversial rapper is again doing what he does best, causing controversy. To be truthful, there really isn't any controversy…just high comedy. Nasir Jones is a funny, funny man; borderline hysterical. Just in case you're not aware of the latest, Nas has announced his forthcoming CD will be named… (drum roll please) Nigger! Yes, see how the mere utterance of the word in its full, gory splendor makes most "reasonable" individuals twitch in discomfort. Note; emphasis on the word "reasonable." Nigger, coming soon on iTunes. Or, you can run out to your local music retailer and purchase Nigger as a gift for your loved ones this holiday season. In fact, call your favorite radio station and request Nigger right now. Yes, doesn't that just "sound" like a good idea? THAT, my people, is brilliance unparalleled. Such creative genius only comes around once in a generation. The juxtaposition of "nigger" and rap music is groundbreaking. Never before have the two come together in music. Uh…yeah. Evidently the NAACP and other civil rights ancillaries are none too pleased at the announcement and have voiced their displeasure. To which, Nas had this to say to MTV News: "I'm a street disciple. I'm talking to the streets. Stay out of our business. You ain't got no business worrying about what the word 'nigger' is or acting like you know what my album is about without talking to me. He goes on to say… "If Cornel West was making an album called "Nigger," they would know he's got something intellectual to say. To think I'm gonna say something that's not intellectual is calling me a nigger, and to be called a nigger by Jesse Jackson and the NAACP is counterproductive, counter-revolutionary." And so goes the continuous contradictory nature of hip-hop music today. Quicker than a single rotation of a 12" LP, hip-hop will argue the merits of "free speech" and how hip-hop should not be "censored" or heaven forbid, criticized. Yet at the same time, hip-hop has been gleefully ignorant as to the implications and responsibility associated with anything "free." "Freedom of speech" is an inalienable right to avoid prosecution for your views…not persecution because of them. There's a distinct difference. Nas is "free" to title his CD Nigger or any other equally misguided nomenclature he sees fit; regardless of how ill-conceived, illogical and asinine it may happen to be. But why in the hell WOULD anyone (Black) WANT to do so? Be it the attempt to justify the BET TV show Hot Ghetto Mess, merchandise "Nigga" T-shirts (Damon Wayans) or naming your CD Nigger…the question is the same. Why in the hell WOULD anyone (Black) WANT to do so? Freedom of speech intimates a dialogue, not a monologue. The NAACP, Jesse Jackson and Mo'Kelly are also "free" to express our overwhelming disapproval at Nas' lack of foresight and class. Freedom of speech does not begin and end with the first voice in the discussion, it continues until all are heard. This is Mo'Kelly's turn. Disciple n. A person who is a pupil or an adherent of the doctrines of another. There is nothing inherently dishonorable in being "from" the streets. Our origination points in life are simply that…a starting locale prior to growth and progress. They should never be the goal or end destination. The problem though is coveting the infantile mentality that eschews growth, education and progress for items of zero value…synonymous with "the streets." In "the streets," men are not men. Lil Flip Young Jeezy Young Joc Young Buck Hot Boyz Lil Jon Geto Boyz Baby Boy (Movie) Boyz in the Hood (Movie) Etc. And to think we as African-American men couldn't stand to be called "boy." That's clearly progress at its best. In "the streets" women are not women. Bitches Hos Tricks Chickenheads Skeezers Etc. The "mores" and "ethics" of the streets are contained in phrases such as "stop snitchin.' The debasement of women and disrespect of fellow African-Americans are acceptable and encouraged modes of behavior. The "streets" are about "having more" not "being more." The "streets" idolize drug dealers, rappers who pattern themselves after Mafiosos and/or drug dealers (i.e. "Nas Escobar") and are largely indifferent to common sense and decency. Mo'Kelly's not deriding people "from" the streets, just those who embrace the tenets "of" the streets. It's about the mentality, not the zip code. It wasn't the zip code that landed rapper T.I. in jail (again). It was the mentality that convinced him machine guns and silencers were more important than continuing to enjoy his music and movie stardom without them. If Nasir Jones is a self-proclaimed "street disciple," then by definition he embraces and extols the "virtues" of the very least that African-Americans have to offer and the worst of human interaction. Mo'Kelly doesn't need to "wait" for the CD to KNOW that Nigger is an unacceptable way to represent African-American people. Mo'Kelly's got common sense and decency. "I'm a street disciple. I'm talking to the streets. Stay out of our business." -Nas- Like Mo'Kelly said…Nas is a funny, funny man. High comedy. And by the way, since 70% of all hip-hop is purchased by non-African-Americans, what "streets" is Nas REALLY talking to? Nas should've said..."I'm talking to the suburbs, who keep me in business." THAT is more of an accurate statement. The moment Nas stops appearing on MTV News, pre-promoting CDs, having his music spun at night clubs, accepting royalty checks from a conglomerate he neither influences nor owns et. al…then and ONLY then might he admonish anyone to stay out of his "business." In the meantime, he keeps bringing his "business" to us and is quite intent on making a profit in the process. In addition, as long as Nas is intent on "representing" African-Americans in a public sense with such stupidity, it will always be Mo'Kelly's "business" to check him accordingly. "You ain't got no business worrying about what the word 'nigger' is or acting like you know what my album is about without talking to me." Great. Nas is also the self-proclaimed "authority" on the word "nigger" with all rights, entitlements and privileges accorded thereto. That is "goal setting" at its highest. Mo'Kelly wouldn't dare try to take that "honor" away from him. Mo'Kelly will let Nas hang that award proudly on his bathroom wall…right next to his 8th grade diploma. The simple point Nas misses (one of many) is that "just because you 'can'…doesn't mean you should." And if you still do, don't expect the rest of us to support you either. Enough is enough. If Nas can't understand the inherent stupidity in naming his CD Nigger, then it's a fair assumption the subsequent content is equally lacking in common sense. Remember, he's a "street disciple" with all the baggage it entails. Heaven forbid if we as a people strove to "be more" instead of just "having more." "If Cornel West was making an album called "Nigger," they would know he's got something intellectual to say." Let's stay within the realm of common sense here. Nas is not on any intellectual par with Dr. West and neither are Nas' "teachings." And if Nas is only talking to "the streets," any and all references to Dr. West are silly. Is Nas trying to be silly or serious? Right now, the humor is winning out. Nas IS a funny, funny man invoking comparisons to Dr. West. Appropriating the intellectuality of Dr. West to argue the merits of stupidity is high, high comedy. Dr. West hasn't written any songs talking about You Owe Me or engaged in publicized beefs/pissing matches, dissing his peers such as Tavis Smiley, Leonard Pitts or Earl Ofari Hutchinson over perceived disrespect. Nas on the other hand... But to Nas' point, Dr. West has released multiple CDs which included the topic of The N-Word (as the songs were specifically titled). Meaning, Dr. West is clearly sensitive to the controversial nature of the word in ways that Nas is not. The fact is; Dr. West likely wouldn't ever name his CD Nigger. The hypothetical is erroneous and ridiculous. " To think I'm gonna say something that's not intellectual is calling me a nigger, and to be called a nigger by Jesse Jackson and the NAACP is counterproductive, counter-revolutionary." Nas would like us to disregard the greater portion of his career filled with non-intellectual beefs with Jay-Z, 50 Cent and others. He would like us to forget all of his foolishness, but Mo'Kelly won't. Nas is occasionally intellectual…in the way that it occasionally rains. In other words, he changes like the weather. But therein lies the rub. Although Nas is fine with using "Nigger" for his own ill-gotten gain, irrespective of how destructive, offensive and inflammatory it might be; he's "offended" at the prospect of the insult being thrown back at him. Which is it Nas…is the word offensive and inflammatory or not? Nas can't seem to make up his mind. Nas' own contradictions are the perfect illustrations as to why this word has no place in our mouths, our hearts…or as titles of our CDs. The word and its hateful history are neither redemptive nor salvific. Nothing good has EVER come out of "nigger." Being that Nas is the "authority" on "nigger" he should already know this to be true. "We're taking power from the word," Nas also added. No you're not. The word itself doesn't have power, it's the history and racism it embodies which have power...neither of which are you addressing or mitigating by "selling Nigger" for 18.95. Nas can't numb African-Americans into submission by the overuse of the word in the hopes of it becoming passe' and he knows it. He just wants your 18.95 for you to figure it out. No matter how many times Richard Pryor said it under the guise of humor, no matter how many times NWA used it under the guise of empowerment; the FIRST time Michael Richards mentioned it...we were back to square one. The FIRST time it was used against Mychal Bell, the wheels of history began turning in his mind and the Jena 6 were born. Usurping the "power" of the word Nigger is a farce. Selling it for 18.95 is a modern-day minstrel show/slave auction...take your pick. The association of "nigger/nigga" and rap music is not "revolutionary." Ever since the debut of NWA in the early 90s…rap and "nigger" in all of its permutations have been inextricably linked. Nas is not breaking new ground here, only digging up more of hip-hop's old skeletons. In fact, the use of "nigger" on an album/CD isn't even new. Richard Pryor has Nas beat by some 30 years and we should all remember where intellectually and emotionally Pryor ended up on the use of the word "nigger" when all was said and done. To be "revolutionary" implies cutting against the grain in the hopes of uplifting the least of all of us. It's a key differentiation between relevant social revolutions and garden variety prison breaks. Nas titling a hip-hop CD in 2007 Nigger after a career of its incessant use in his music is indicative only of unimaginative profiteering, masquerading as intellectuality. His inability to see past the error of his ways is just more of the infantile faux-masculinity that is common and pervasive amongst "street disciples." Nas, you are a funny, funny man…even when you're not trying. The Mo'Kelly Report is an entertainment journal with a political slant. It is meant to inform, infuse and incite meaningful discourse...as well as entertain. The Mo'Kelly Report is syndicated by Newstex. For more Mo'Kelly, http://www.mokellyreport.blogspot.com. Morris W. O'Kelly can be reached at mokellyreport@sbcglobal.net and he welcomes all commentary. 9:38 AM - 99 Comments - 30 Kudos - Add Comment

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Baby_Girl

u have GOT to b f***ing kidding me

This better be good....

By Nolan Strong

Rapper T.I. was arrested in Atlanta yesterday [October 13] by agents of the Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) after he allegedly attempted to purchase three machine guns and two silencers from an undercover agent, acting as an arms dealer.

In addition to the three machine guns found in his College Park home, police also recovered six additional firearms from a closet in the rapper's house.

T.I. has been charged with felony possession of unregistered machine guns and silencers and possession of firearms by a convicted felon.

According to U.S. Attorney David E. Nahmias, T.I. allegedly sought to purchase an unregistered machine gun, as well as numerous other weapons.

T.I. allegedly paid almost a total of $21,000 in cash to his bodyguard to purchase over 25 firearms on his behalf.

The bodyguard, who was acting as a cooperating witness, told agents that he was purchasing the machine guns on T.I.'s behalf because the rapper is a convicted felon.

The man, who had been employed since July 2007, allegedly purchased nine weapons for the rapper as well as one weapon on behalf of another, unnamed individual.

The bodyguard purchased a total of nine weapons for T.I. and 17 for others on behalf of T. I., because of his prior felony conviction, which prevents him from legally owning firearms.

"Machine guns pose a serious danger to the community, which is why they are so carefully regulated," said David E. Nahmias, United States Attorney for the Northern District of Georgia. "The last place machine guns should be is in the hands of a convicted felon, who cannot legally possess any kind of firearm. This convicted felon allegedly was trying to add several machine guns to an already large and entirely illegal arsenal of guns. Thanks to the good and quick work of ATF, he is now in custody and his firearms have been seized."

The bodyguard, acting as a Confidential Witness [CW] placed a series of phone calls to T.I., which were recorded by the ATF.

The CW called T.I. and said "he had everything," referring to machine guns he was allegedly supposed to purchase on behalf of the rapper.

On October 12, T.I. called the CW and ordered him to deliver the weapons yesterday [October 13].

"This investigation developed very quickly," said Vanessa McLemore, Special Agent in Charge of ATF's Atlanta Division. "We learned only this Wednesday that the cooperating witness was allegedly buying the machine guns for Harris. The cooperating witness told Harris on Thursday that he had obtained the items, and on Friday Harris made it clear that he wanted them delivered to him today. Harris then agreed to meet and took possession of the machine guns this afternoon. He now faces serious federal charges and a potentially long prison sentence."

T.I. will remain in federal custody until Monday, October 15, when he will appear before US Magistrate Judge Alan J. Baverman at the United States Courthouse in Atlanta.

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Spank Rock from Philly shows you what's up.

These guys gave me a shout on their podcast last week....http://nightofthelivingpodcast.podomatic.com/

A scene from "Dagon"...another Lovecraft inspired direct to DVD shock fest.....